The Mystery of Chopin's Préludes. Ashgate Publishing, 2015.
"...an effulgent example of stellar research and eloquent writing... a uniquely interdisciplinary examination of Chopin's Preludes that never ceases to hold one's attention... a persuasive and carefully structured argument... engrossing... an extraordinary musical discovery... astonishing... a strikingly original achievement... highly recommended for pianists and piano teachers, for music libraries, and for academic libraries serving music programs." (Music Reference Services Quarterly, March 2016)
"The Mystery of Chopin’s Préludes provides valuable insights into our structural and aesthetic understanding of Chopin’s preludes. Leikin presents a compelling case that the Dies Irae enshrouds Chopin’s preludes, thereby infusing these 'tone-painting reflections of Lamartine’s poem' with an aesthetic of death. Leikin’s systematic illustration of the Dies Irae motive establishes this book as a definitive resource about Chopin’s preludes for performers, scholars, and listeners." (Notes, June 2016)
The Performing Style of Alexander Scriabin. Ashgate Publishing, 2011.
"Carefully written, filled with interesting sidelights, and rich in detail... Highly recommended." (Choice, December 2011)
"Leikin provides a wealth of important observations based on his analyses of Scriabin's performance practice... meticulous and groundbreaking study... the prose is of high quality, very readable and clear, and the insights into Scriabin performance that Leikin provides are numerous and special... Leikin's achievement here is undeniably significant." (Notes, June 2012)
"Ambitious and thoroughly researched book... thorough, groundbreaking work..." (Slavonic and East European Review, July 2012)
ARTICLES IN SCHOLARLY JOURNALS
“L’unité cyclique des 24 Préludes op. 28 de Chopin: implications pour l’analyse et l’interprétation,” Analyse Musicale, Vol. 62 (2010): 42-52.
"Thematic Rapprochement in the Recapitulations of Haydn, Mozart, and Beethoven," Ad Parnassum, vol 6 no. 12 (2008): 41-67.
"Piano-Roll Recordings of Enrique Granados: A Study of a Transcription of the Composer's Performance," The Journal of Musicological Research, vol. 21 nos. 1-2 (2002): 3 - 19.
"Repeat with Caution: A Dilemma of the First Movement of Chopin's Sonata Op. 35," The Musical Quarterly, vol. 85 no. 3 (2001): 568 - 82.
"Missing Links: Some Aspects of Key and Mode Relationships," International Journal of Musicology, vol. 7 (1998): 9-28.
"Chopin's A-Minor Prelude and its Symbolic Language," International Journal of Musicology , vol. 6 (1997): 149-62.
"Decoding the Twenty-Four Preludes of Shostakovich: A Hermeneutic Approach," The American Journal of Semiotics, vol. 13 (1998): 165-81.
"The Performance of Scriabin's Piano Music: Evidence from the Piano Rolls," Performance Practice Review, vol 9 no. 1 (1996): 97-113.
ESSAYS IN BOOKS
«Историко-структурный анализ тематических связей в репризных разделах классической сонатной формы» [Historical and Structural Analysis of Thematic Connections in the Recapitulations of Classical Sonata Form],
in Измерение музыки [Dimensions of Music], ed. Irina Vorontsova. Herzen State Pedagogical University Press, St. Petersburg, Russia, 2015, pp. 144-64.
"Chopin's Preludes Op. 28 and Lamartine's Les Préludes," in Sonic Transformations of Literary Texts: From Program Music to Musical Ekphrasis, ed. Siglind Bruhn. Pendragon Press, 2008, pp. 13-44.
"The Alternative Versions of Chopin's Piano Sonatas: Sorting Out the Composer's Intentions," in Early Music: Context and Ideas (International Conference in Musicology). Cracow: Institute of Musicology, Jagiellonian University, 2003, pp. 178-83.
"From Paganism to Orthodoxy to Theosophy: Reflections of Other Worlds in the Piano Music of Rachmaninov and Scriabin," in Voicing the Ineffable: Musical Representations of Religious Experience, ed. Siglind Bruhn. Pendragon Press, 2002, pp. 25-44.
"Genre Connotations, Thematic Allusions, and Formal Implications in Chopin's Nocturne Op. 27 No. 1," in Chopin and his Work in the Context of Culture (Second International Musicological Congress), ed. Irena Poniatowska. Polska Akademia Chopinowska, 2003, pp. 232-242.
"The Sonatas," chapter in Cambridge Companion to Chopin, ed. Jim Samson. Cambridge University Press, 1992; paperback edition 1994, pp. 160-187.
"Osnovnye faktory deformatsii sonatnoy formy: ob evlutsii muzykalnogo yazyka" [The Dissolution of Sonata Norm: On the Evolution of Musical Language], in Cherty sonatnogo formoobrazovaniya [Features of Sonata Formbuilding], ed. Yevgeny Ovchinnikov. Moscow: The Ministry of Culture of RSFSR, 1978, pp. 110-131.
"Osnovnye faktory stanovleniya sonatnoy formy: ob evlutsii muzykalnogo yazyka" [The Cystallization of Sonata Norm: On the Evolution of Musical Language], in Voprosy muzykalnogo analiza [Issues of Music Analysis], ed. Zoya Glyadeshkina. Moscow: The Ministry of Culture of RSFSR, 1976, pp. 51-88.
The Complete Chopin - A New Critical Edition (the Sonatas Volume). London: Peters Edition (forthcoming)
Monuments of Russian Sacred Music, Vol 1, editor of the Russian text of Critical Notes, Washington, D.C. (1991): 665-768
Multimedia Chopin (CD-ROM), English-Polish version. Warsaw: User, 1996; 2nd edition: Multimedialna Encyklopedia Fryderyk Chopin, English-Polish version. Warsaw: Movex, 2000
BOOK, CONCERT, AND CD REVIEWS
Review of Victoria Adamenko, Neo-Mythologism in Music: From Scriabin and Schoenberg to Schnittke and Crumb. In Notes, vol. 65 no. 2 (2008): 314-316.
Review of Simon Morrison, Russian Opera and the Symbolist Movement. In Journal of Musicological Research, vol. 22 no. 4 (2003): 409-413.
Concert and CD reviews of various performers (R. Lupu, M. T. Thomas, E. Kissin, K. Zimerman, etc.) published online in San Francisco Classical Voice.