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Oboist and composer/performer Kyle Bruckmann’s work extends from a classical foundation into gray areas encompassing free jazz, electronic music and post-punk rock. A busy and eclectic performance schedule and appearances on more than 60 recordings have led to his recognition as “an excellent composer, striking the right balance between form and freedom” (Signal to Noise) and “a modern day renaissance musician” (Dusted).
Bruckmann is a member of acclaimed new music collective sfSound, the San Francisco Contemporary Music Players, Eco Ensemble, Splinter Reeds, Quinteto Latino, and the Stockton Symphony. He has worked with the San Francisco Symphony, Ensemble Parallèle and most of the area’s regional orchestras while remaining active in an international community of improvisers and sound artists. From 1996-2003, he was a fixture in Chicago’s experimental music underground; long-term affiliations include the electro-acoustic duo EKG, the art-punk monstrosity Lozenge, and the Creative Music quintet Wrack.
He earned undergraduate degrees in music and psychology at Rice University in Houston, studying oboe with Robert Atherholt, serving as music director of campus radio station KTRU, and achieving academic distinction as a member of Phi Beta Kappa. He completed his Masters degree in 1996 at the University of Michigan, Ann Arbor, where he studied oboe performance with Harry Sargous and contemporary improvisation with Ed Sarath.