|

UCSC Music Department CD: Soundings
This double CD-set represents the work of the
faculty and ensembles at UCSC's Music Department.
Play CD 1
Play
CD 2
CD 1 Track Information
Student Ensembles:
1 Gavorkna Fanfare (Jack Stamp, 1991).
UCSC Wind Ensemble (Robert Klevan, Artistic Director / Conductor)
2 Amour m'a mis - excerpt (Vulfran Samin,
1548). UCSC Chamber Singers (Nicole Paiement, Artistic
Director / Conductor)
3 A Night on Bald Mountain - excerpt
(Modest Mussorgsky, 1867). UCSC Orchestra (Nicole
Paiement, Artistic Director / Conductor)
4 Carmina Burana - excerpt (Carl Orff,
1937). UCSC Chamber Singers, Concert Choir, Percussion Ensemble,
and Orchestra (Nicole Paiement, Conductor)
5 Taita Salasaca - Salasaca Father
(traditional albazo, Ecuador). Taki Ñan
(John Schechter, Director). The Salasaca are a group of indigenous
Quichua-speaking people, of central Ecuador. As with all Ecuadorian
albazos, Taita Salasaca exhibits sesquiáltera
meter, which characterizes many genres of Latin American folk
music.
6 Banjar Mati - Laras Salendro (traditional
Sundanese opening music). West Javanese Gamelan (Undang
Sumarna, Director and kendang drums). This heirloom
Indonesian gong-chime and drums ensemble plays traditional
music in a five-tone scale.
7 Kesuma Sari - Essence of Beauty (I
Wayan Suweca, 1995). UCSC Balinese Gamelan Angklung 'Swarasanti'
(Linda Burman-Hall, Director and kendang drums). This
4-tone ensemble plays for ritual and entertainment; this selection
was created for UCSC by an Indonesian 'new music' composer
who also came to teach it to us.
8 New York (Donald Brown). UCSC Jazz
Combos (Ray Brown, Director)
9 Recuerdos de Calawayo (traditional
wayno, Peru). Taki Ñan (John Schechter, Director).
This selection is performed on kena (Andean notched
flute), guitar, and charango (Andean miniature guitar).
The wayno, which dates to the sixteenth century, is
the most widely diffused song and dance genre of the South
Andes, sung in either Quechua or Spanish.
Faculty Composers:
10 Songs from the Navajo - excerpt (David
Cope, 1994). Jennifer Goltz, soprano; Ensemble Nova (*)
11 Firefile Variations: Variation II (David
Evan Jones, 1993). Sally Pinkas, piano
12 Five Minimal Pieces: Asymmetry [1+28]
(Peter Elsea, 2002). Computer, Emu and Yamaha Synthesizers
13 Two Short String Quartets: Elegy [In Memoriam
JFK] (Fredric Lieberman, 1963). The Porter String
Quartet: Roy Malan, violin; Dan Smiley, violin; Nancy Ellis,
viola; Carolyn MacIntosh, cello
14 Intrigues: Movement 3 (Hi Kyung Kim,
1985). Michael Seth Orland, prepared piano; John Sackett,
clarinet
15 Equipoise (Karlton E. Hester, 1989).
Karlton E. Hester, synthesizer
16 Flight Path - excerpt (Paul Nauert,
1999). Leta Miller, flute; Paul Nauert, piano
CD 2 Track Information
Faculty Performers:
1 Suite for Woodwind Quintet: Allegretto
con moto (Henry Cowell, 1934). The Cowell Quintet: Leta
Miller, flute; Roger Wiesmeyer, oboe; Mark Brandenburg, clarinet;
Jane Orzel, bassoon; Joshua Garrett, horn
2 Pick and Roll - excerpts (Benjamin
Verdery, 2000). UCSC Guitar Orchestra (Mesut Özgen, Director
/ Conductor) [*]
3 Toccata in G Major, BWV 916: Movement
III (Johann Sebastian Bach, 1706). Linda Burman-Hall, German
double harpsichord (Dowd '85 after Mietke, ca. 1720)
4 Incidental Music for Corneille's 'Cinna:'
Movement I (Lou Harrison, 1957). Linda Burman-Hall, tack piano
(in 7-limit just intonation)
5 Sonate Pour Harpe: Allegretto (Germaine
Tailleferre, 1957). Jennifer Cass, harp
6 Eight Preludes: La Colombe (Olivier
Messiaen, 1928-29). Mary Jane Cope, piano
7 Chansons Pouplaires Françaises:
L'Autre Jour en m'y Promenant (Germaine Tailleferre, 1952-55).
Patrice Maginnis, soprano; Parallèle Ensemble (Nicole
Paiement, Artistic Director / Conductor)
8 Viennese Rhapsodic Fantasietta (Fritz
Kreisler, 1948). Roy Malan, violin; Robin Sutherland, piano
9 Piano Concerto No.2 in C minor, op.18
- excerpt (Sergei Rachmaninoff, 1900). Maria Ezerova, piano;
UCSC Orchestra (Nicole Paiement, Conductor)
10 Clarinet Concerto in A major, K. 622:
Adagio (Wolfgang Amadeus Mozart, 1791). Mark Brandenburg,
clarinet; UCSC Orchestra (Nicole Paiement, Conductor)
11 Variations on an Anatolian Folksong
- excerpt (Carlo Domeniconi, 1982). Mesut Özgen, guitar
12 Concerto in F Major: Larghetto
(Antonio Vivaldi; arr. James L. Hart, 1992). Hart/Green Jazz/Classic
Quartet
13 Four Combinations for Three Instruments:
Allegro and Largo (Henry Cowell, 1924) Sue
Brown, violin; Karen Andrie, cello; Josephine Gandolphi, piano
14 Preludes op. 11: Andante Cantabile
(Alexander Scriabin, 1888-96). Anatole Leikin, piano
15 First Concerto for Flute and Percussion:
Movement I (Lou Harrison, 1939). Leta Miller, flute; William
Winant and Heather Sloan, percussion
16 Christmas Oratorio, BWV 248: Frohe Hirten
(Johann Sebastian Bach, 1734). Brian Staufenbiel, tenor;
Santa Cruz Baroque Festival Orchestra (Linda Burman-Hall,
Artistic Director and Baroque chest organ)
17 Nocturne for Two Pianos (Paul Bowles,
1935). Irene Herrmann and Michael McGushin, piano [+]
18 Sonata for Bassoon and Piano in G Major,
Op. 168: Movement I (Camille St. Saëns, 1921). Jane
Orzel, bassoon; Michael McGushin, piano
19 Donna Lee (Charlie Parker) Karlton
E. Hester, flutes; Renata Bratt, cello; Pascal Bokar Thiam,
guitar; Kaj Eckart-Karpeh, bass; Peter Horvath, piano; Djibi
Diop Faye, sabar; Rich Faye, mbeug
20 Out of Nowhere (Green/Heyman).
Karlton E. Hester, saxophones; Pascal Bokar Thiam, guitar;
Kaj Eckart-Karpeh, bass; Deszon Clayborn, drums; Peter Horvath,
piano; Djibi Diop Faye, Sabar, Mbaye Gueye, mbeug.
In the two selections above the musicians are reconnecting
the language of bebop and jazz to its original African roots
and atmosphere. The balafon sounding instrument is an African
guitar technique developed by Pascal Bokar, the sabar
and the mbeug are traditional Senegalese wooden drums
used in West African ritual ceremonies.
[*] World premiere performance at April
in Santa Cruz contemporary music festival, UCSC.
[+] World premiere performance at UCSC.
This recording was mastered by William Coulter
at the UCSC Music Center Recording Studio.
|