You are here

Kira Dralle

Lecturer in Music

Kira Dralle completed her PhD in Cultural Musicology at the University of California Santa Cruz in 2022. As a recipient of the UC President’s Dissertation Fellowship, she has been recognized for her rigorous scholarly contributions, in addition to her pointedly activist aims of racial diversity in music academia. In 2020, Kira was a Visiting Scholar in Residence at the Institute for Jazz Research at the Kunstuniversität Graz, working in the jazz archives of Dietrich Schulz-Köhn. Kira has lectured internationally at the University of Vienna, the University for Music and Performing Arts Graz, and has participated in many public musicology projects in Prague, Amsterdam, and with the Steirischer Herbst Festival in Austria. At the intersection of Historical Ethnomusicology and Visual Culture, her dissertation examined archival silence surrounding Black jazz musicians in the Third Reich, as well as the continued effects on transatlantic jazz historiography, canonization, and the racial imaginary.

Kira recently worked in curation and publications for Indexical, an interdisciplinary and experimental music venue in Santa Cruz, where she curated the Black Sound Symposium - a symposium full of concerts, talks, workshops, and interdisciplinary dialogue rooted in Black sound and Black sonic space. It worked to expand anti-racist and activist pedagogy and methodologies in and outside of academic institutions, and it honored the long and rich lineages of Black virtuosity that have been diminished and erased from artistic canons and social consciousness. The Black Sound Symposium was sponsored by The Humanities Institute at UCSC and the Visualizing Abolition public scholarship series at the Institute of the Arts and Sciences.

Kira has published works in Jazz & Culture, Jazz Research News (Austria), Ethnomusicology Review, with The Center for New Music (San Francisco), and Notes: the Quarterly Journal of the Music Library Association, and she has forthcoming publications with Jazzforschung / Jazz Research, and the Journal of Jazz Studies.

Office: 
Music Building Rm. 126
Office Hours: 

MW 12-1pm and by appointment

Selected Publications: 
  • “Archival Silence in the Collections of Dietrich Schulz-Köhn,” Jazz & Culture 5, no 1
    (Spring/Summer 2022): 20-51.
  • “Die Theorie der Spuren: Restoring Black Narratives in the Histories of Jazz,” Jazz Research
    News Ausgabe/Issue 59 (2023): 2705-2733.
  • “The Historiography of Myths & the Racial Imagination: re-contextualizing Joséphine
    Baker in the Jim Crow South and the Third Reich,” Jazzforschung / Jazz Research. (In Press)
Honors and Awards: 

2021-22 UC President’s Dissertation Year Fellowship, UC Santa Cruz
              Research Grant, Newcastle University
2020      Research Fellowship, University for Music and Performing Arts Graz

2019      History of Art and Visual Culture Rebele Award, UC Santa Cruz
              Music Graduate Research Award, UC Santa Cruz
              Fellowship, Arts Dean’s Fund for Excellence
2018      Fellowship, Arts Dean’s Fund for Excellence
2017      Fellowship, Arts Dean’s Fund for Excellence
2016      Fellowship, Arts Dean’s Fund for Excellence
2015      Regents Fellowship, UC Santa Cruz